A symbolic base on the floor, suggesting personal territory, and extensions, attached vertically to the body, as articulation of space, are the elements used, while experimenting and testing in collaboration with people. Doing so, I developed a new scripting language and provoke a new spatial perception.

Center: A human being is a circle whose centre is everywhere but whose circumference is nowhere. The center is the place where new spaces can overlap and grow.

Interspace: Space as a flux, like an ongoing wave; The lengthening and shortening, the widening and narrowing, the rising and sinking; the shape of the space of interaction.

Proportion: Duration creates a space, a distinct from time, which is fluid, more abstract.

Making music through dance, that was my starting point. In this performance a living xylophone comes into being that unites music and dance. In classical ballet ‘pointe shoes’ are representative of the dancer’s weightlessness. In reality, dance is all but weightless.

An experimental set of objects function as an accoustic instrument, while the body of a dancer playing the sthring, and resonates one’s existence through space.

Walking gives me a sense of being interconnected with my surroundings. While capturing these moments of imaginairy landscapes , I expand them into objects. The constructed object as an ode to the act of walking.

By taking them back into the real setting where they were captured as memories, they now function as intermediate objects and become imaginative worlds of their own.

Embedded in the shelves of a constructed study room, the communication line connects the visitor with a secret listener.

The listener on the other side of the line, performed as a writer, transformed all the shared thoughts into poetry. Words worth remembering.